By Ruth Behar
During this number of new reflections at the sexual politics, racial historical past, and ethical predicaments of anthropology, feminist students discover a variety of visions of id and distinction. How are feminists redefining the poetics and politics of ethnography? What are the contradictions of girls learning ladies? How have gender, race, category, and nationality been scripted into the canon?Through autobiography, fiction, historic research, experimental essays, and feedback, the participants provide intriguing responses to those questions. numerous items reinvestigate the paintings of key ladies anthropologists like Elsie Clews Parsons, Margaret Mead, and Ruth Benedict, whereas others reevaluate the writings of ladies of colour like Zora Neale Hurston, Ella Deloria, and Alice Walker. a few choices discover how sexual politics support to figure out what will get written and what's valued within the anthropological canon. different items discover new kinds of feminist ethnography that 'write tradition' experimentally, thereby not easy triumphing, male-biased anthropological versions.
Read Online or Download Women Writing Culture PDF
Similar feminist theory books
This ebook bargains a serious feminist standpoint at the greatly debated subject of transitional justice and forgiveness. Louise Du Toit examines the phenomenon of rape with a feminist philosophical discourse bearing on women’s or ‘feminine’ subjectivity and selfhood. She demonstrates how the hierarchical dichotomy of male lively as opposed to woman passive sexuality – which obscures the genuine nature of rape – is embedded within the dominant western symbolic body.
Simians, Cyborgs and ladies is a strong number of ten essays written among 1978 and 1989. even if at the floor, simians, cyborgs and girls could seem a strange threesome, Haraway describes their profound hyperlink as "creatures" that have had a very good destabilizing position in Western evolutionary know-how and biology.
In Greece, ladies communicate of mothering as "within the character" of a lady. yet this sturdy organization of motherhood with femininity exists in stress with the top occurrence of abortion and one of many lowest fertility premiums in Europe. during this surroundings, how do girls ponder themselves as right members, moms, and Greek voters?
Gender and the development of Hegemonic and Oppositional Femininities investigates how hegemonic and nonhegemonic sorts of femininity are built within the social associations of faculty, the office, and the media. Hegemonic femininities are those who shape a complementary and subordinate courting with hegemonic masculinity and in doing so legitimize a hierarchical courting among women and men, and masculinity and femininity.
- Textual Construction of the Female Body: A Critical Discourse Approach
- Valuing Us All: Feminist Pedagogy and Economics
- Mail and Female: Epistolary Narrative and Desire in Ovid's Heroides (Wisconsin Studies in Classics)
- Women's Rights: A Global View (A World View of Social Issues)
- Entrepreneurship and Innovation: An Economic Approach
Extra info for Women Writing Culture
He describes how Hélène Cixous’s reading of “The Uncanny” illustrates Freud’s own latent anxieties about sexual difference, suggesting that the uncanny as a category is always laden with those fears. In particular, what is worth drawing attention to, as Cixous does, is how Freud’s essay connects the uncanny to fears of castration, as he does for instance in connecting “the uncanny effect of the SandMan [from Hoffmann’s tales, one of Freud’s central examples] to the anxiety belonging to the castration complex of childhood” (1955, 233).
This acts in combination with a different musical environment—the track ends, and the note with it, in a grand finale—and a much less radical shift in vocal timbre. ” When listening to this final climax in “Un año de amor,” I am aware in part of wanting to produce Casal’s sound, and simultaneously of a desperate and uncomfortable desire for the “right” note (that which is finally reached as her vibrato kicks in) to be reached. That desire is also present when listening to Redding—I have suggested that already—but my feeling in response to Redding is of being willing to go along with the note, into the note almost, whereas with Casal part of me pushes against the sound; perhaps here, I want to make the sound partly in order to rectify its pitch.
We should not, though, regard queer as simply a subset of the uncanny, for, as Nicholas Royle argues, “The uncanny is queer. And the queer is uncanny” (2002, 43). He describes how Hélène Cixous’s reading of “The Uncanny” illustrates Freud’s own latent anxieties about sexual difference, suggesting that the uncanny as a category is always laden with those fears. In particular, what is worth drawing attention to, as Cixous does, is how Freud’s essay connects the uncanny to fears of castration, as he does for instance in connecting “the uncanny effect of the SandMan [from Hoffmann’s tales, one of Freud’s central examples] to the anxiety belonging to the castration complex of childhood” (1955, 233).