La escritura terapéutica by Silvia Adela Kohan

By Silvia Adela Kohan

La escritura terapéutica está dirigido a los que quieran vivir a fondo los poderes liberadores, analgésicos y reconstituyentes de los angeles escritura, a psicólogos, terapeutas, coordinadores de talleres de escritura, profesores, y a escritores tanto principiantes como experimentados.

Este libro te alienta a escribir para ti mismo o para los demás.
Contiene dos partes conectadas íntimamente entre sí:

1. El diván y los angeles pluma (Escribir para vivir mejor).

2. Los procesos del escritor (Escribir para l. a. creación literaria).

Incluye un anexo sobre lectoterapia y cineterapia.

Tienes en tus manos un instrumento de reflexión y forty ejercicios prácticos, eficaces y comprobados.

Silvia Adela Kohan, filóloga y logopeda, ha introducido con Grafein los talleres de escritura creativa en España y ha publicado, entre otros, Cómo escribir una novela, Cómo escribir poesía, Escribir sobre uno mismo, Los secretos de l. a. creatividad, Puntuación para escritores y no escritores, Taller de escritura: el método, Gramática para escritores y no escritores, Taller de lectura: el método, La trama del cuento y los angeles novela, La escritura como búsqueda, La acción en los angeles narrativa, Escribir para niños, El tiempo en l. a. narración, Cómo narrar una historia, Cómo escribir diálogos y Para escribir una novela, todos ellos publicados en Alba.

Imparte talleres de escritura creativa, seminarios sobre el relato del caso clínico para psicólogos y el método de taller para educadores, a nivel nacional e internacional.

Ha ganado el premio de novela Delta con Un año de mi vida y el Rulfo de cuento con “Este no es un asunto más para nosotras”.

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Sample text

FORM STUDY. composed of principles 5, 5. and G. It has seven strokes, three short and four long ones. The first improperly formed m is too angular and irreRular in spacing; The second resembles nc, and the third loolis like rn because of irregular slant of the The down m is strokes. INSTRUCTIONS FOR PRACTICE. form and to secure uniform slant in the down strokes, Push in making Aim to the long up strokes and swing gracefully from one blue line to the other. To do this successfully, the sleeve' needs to be loose at the elbow so as to allow the arm to act freely within It.

3 begins the same as 2 and is composed of two small ovals. 5 begins with a short, slanting straight line and ends like 3. -The horizontal straight line is made last. Make all the figures quickly, firmly, and plain. The 7 extends below the line the same as 9. 7 Grouped according Use a to similarity. Watch spacing in as well as between quick, twist-like motion in this double loop exercise. The 8 is letters. Retrace r and finish an inverted S. Make up w carefully. stroke nearly straight. INSTRUCTIONS FOR PRACTICE.

Be sure to have a turn at the top as well as at the bottom. Avoid a jerky motion and the result will be pleasing. The little retrace oval thrown around the v encourages freedom by keeping the movement loose to the end. The V is 33 Put 'vim" in your practice, watchfulness in your eye. and perseverance in your effort and a good handwriting will folloui. INSTRUCTIONS FOR PRACTICE. Begin the word with an upward curve and turn and end it with a lower turn and curve. Finish v carefully and place dot over i, not to the right of it as is a common tendency.

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