Greek Tragedy and Political Theory by J. Peter Euben

By J. Peter Euben

During this number of ten essays, modern politics and political thought are juxtaposed with the subjects, shape, and institutional position of Greek tragedy.

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Some students cannot get beyond this point. However, the majority of students usually get 'hooked' by the excitement of discovery that the records make possible — even for a second-year theatre student in Regina, Saskatchewan. After initial examination of REED texts, a recent undergraduate student raised a number of anxious questions in class regarding the relative weight of the mark allocated for the assignment in the overall grading scheme for my course. ' Clearly not all students undergo such a sea change, but several of my students, like her, have gone on to pursue graduate work and archival research, and a good part of the credit for this must go to the interest which REED materials can spark in early English performance and drama.

For example, an aspect of Bachiler's life could be explored while studying Everyman. Everyman s Dutch origins could trigger a study of other plays of the Netherlandish Chambers of Rhetoric such as Man's Desire and Fleeting Beauty. Millington's experience at Eton could be explored when a class is studying Nicholas Udall's Ralph Roister Doister or other school plays. His life in London and the court could be supplemented by studying the entertainments offered to Elizabeth printed in Nichols's Progresses of Elizabeth and Sidney's Lady of May to give the students some sense of standard of performance expected in court compliment.

What do you consider to be the major features of the city? I explain that the city and its buildings are the backdrop to the plays. I ask the groups to examine the map for about five minutes and each to identify one additional feature on the projected map. I want them to recognize the demarcation of urban as opposed to rural space, bounded by the city walls, and to notice the River Dee with its implications of a north-south slope, and the cruciform pattern of Roman streets with the network of lanes.

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