Force: Dynamic Life Drawing for Animators, Second Edition by MA TE SI (Michael D. Mattesi)

By MA TE SI (Michael D. Mattesi)

I do not find out about Mr. Mattesi's thought on drawing circulate: it seems a section too esoteric and imprecise, and after it slow I simply stopped analyzing it, yet his drawings are quite brilliant and that i realized much simply gazing them. i like to recommend this booklet simply because in case you are attracted to drawing human physique in move there are various methods and strategies: it will possibly increase your drawings.

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Extra resources for Force: Dynamic Life Drawing for Animators, Second Edition

Sample text

29 30 Force: Dynamic Life Drawing for Animators This drawing shows the first big rhythm to find, the top of the pyramid, the ribcage to hip relationship. Seeing Life Looking at these four drawings, there are many patterns one can see. Notice the constant attention to the relationship between the ribcage and pelvis. The buttocks represent the pelvis. In most cases you can see the force of the thigh pushing the knee and calf back. Look at the close resemblance to the skiing analogy. The road of rhythm is the figure’s solution for balance.

He would normally be teetering on the balls of his feet because of his chest’s placement relative to them. Instead he stands flat-footed since the rope is used like a pendulum. The head is extremely important because it usually establishes the direction the body is going to move in, like the engine of a train. If you turn, your head initiates that movement. You never turn your body first. It is the control center for the figure’s actions. Pay attention to how it affects the body’s balance because of this.

We start way back in the left thigh. We then travel through the body to 2. and dip aggressively down to 3. After the hairpin curve, we shoot down to the hand. 41 42 Force: Dynamic Life Drawing for Animators In two minutes, each of the drawings above has the main concept of the pose described. Long fluid lines help describe these ideas. With three extra minutes, you can see how the top drawing has more mass and description of anatomy. Seeing Life The model did a great job of giving me something new and exciting to understand.

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