Discursive Geographies Geographies discursives. Writing by Jeanne Garane

By Jeanne Garane

The current choice of essays follows within the wake of contemporary paintings in cultural geography demanding the concept that maps are scientifically impartial entities, or that area, in contrast to time, is motionless. In defining house, position and geography as different types of textuality, the essays gathered during this quantity study the ways that postcolonial and metropolitan literary and filmic texts in French can right now inscribe and convey position and area, and thereby perform different types of “discursive geographies.” members: Fran?ois Bon; Alexandre Dauge-Roth; Habiba Deming; Zakaria Fatih; Jeanne Garane; Patricia Geesey; Greg Hainge; Sir?ne Harb; Jean-Luc Joly; Chantal Kalisa; Michel Laronde; Val?rie Loichot; Mary McCullough; Michael O’Riley; Pascale Perraudin; Walter Putnam; Antoine St?phani; Abdourahman A. Waberi. Contents Acknowledgements Jeanne GARANE: advent Greg HAINGE: Allegorical Geographies: Topographical Transposition and Allegorical functionality in Louis-Ferdinand C?line’s Aesthetic areas Walter PUTNAM: Raging opposed to the evening: C?line’s African Episode Pascale PERRAUDIN : Le devoir de violence de Yambo Ouologuem: pictures et kingdom au degr? z?ro Sir?ne HARB: Translation, Resistance, and Revision in Evelyne Accad’s Coquelicot du bloodbath Val?rie LOICHOT: Saint-John Perse’s Imagined shield : J’habiterai mon nom Mary MCCULLOUGH: cohesion, house and Sisterhood in Assia Djebar’s Ombre sultane and Fatima Mernissi’s desires of Trespass Abdourahman A. WABERI: Eloge du nomadisme Jeanne GARANE : remark faire exister son will pay sur los angeles plan?te litt?rature: Entretien avec Abdourahman A. Waberi Zakaria FATIH : Postcolonial Nomads in Alien Landscapes, or the Treasure Hunt in Tahar Ben Jelloun’s Les yeux baiss?s Michael O’RILEY : Orientalist Remainders and Postcolonial photos of France and Algeria Chantal KALISA: area, Violence, and data in Gis?le Pineau’s L’esp?rance macadam Habiba DEMING: Espaces coloniaux et identit?s linguistiques au Maghreb Patricia GEESEY : ‘Faites comme chez vous’: Spatial Appropriation in Franco-Maghrebi Cinema Michel LARONDE : l. a. Fontaine et Salut cousin! : Le st?r?otype scolaire comme sociocritique Jean-Luc JOLY : L’Ecriture cartographique de Georges Perec Alexandre DAUGE-ROTH : Du non-lieu au lieu-dit: Plaidoyers de Fran?ois Bon pour une urbanit? contemporaine Fran?ois BON et Antoine ST?PHANI : Billancourt (extrait) Notes on members Index

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Extra info for Discursive Geographies Geographies discursives. Writing Space and Place in French L'ecriture de l'espace et du lieu en francais (Francopolyphonies 2)

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Smooth space, on the other hand, is a space in which the points and co-ordinates within that space are subordinated to the trajectories passing through it; it is a space, in other words, that is defined only by those trajectories passing through it at any one moment. If we take seriously Céline’s claim that “j’ai pas d’idées moi! aucune! et je trouve rien de plus vulgaire, de plus commun, de plus dégoûtant que les idées! les bibliothèques en sont pleines! et les terrasses des cafés! . tous les impuissants regorgent d’idées!

Un de ces empapaoutages que subit plus rien n’exista . . et que moi-même là vous racontant, vingt-cinq ans plus tard, j’ergote, je m’y retrouve mal . . bric et broc! vous me pardonnerez . . (R 823–24) This incident (which might be thought of as an internalization of the war-machine, since the brick that struck the protagonist Céline was liberated from its fixed structure by a bomb) seems to act as a catalyst for the accomplishment of Céline’s desired aesthetic expression which will from this point on become more musical and poetic, less concerned with the transmission of an objective reality within a representational framework.

Céline writes: 36 Discursive Geographies/Géographies discursives À partir de cet instant, je vous préviens, ma chronique est un peu hachée, moi-même là qui ai vécu ce que je vous raconte, je m’y retrouve avec peine . . je vous parlais de ‘comics’ vous ne pourriez pas même en ‘comics’ vous faire une idée de cette rupture, de fil, d’aiguille, et de personages . . du si brutal net événement . . tel quel, hélas! . un de ces empapaoutages que subit plus rien n’exista . . et que moi-même là vous racontant, vingt-cinq ans plus tard, j’ergote, je m’y retrouve mal .

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