By Patrick Sénécal
Que se passe-t-il dans l. a. tête d’un homme lorsqu’il perd, tout d’un coup, toutes ses raisons de vivre ? Quand tout ce qu’il a construit s’effondre? Que se passe-t-il quand on ne comprend pas pourquoi le kind s’acharne sur nous? Qu’est-ce qui nous retiens, maintenant que tout est fini, qu’on n’a plus rien, de ne pas devenir monstrueux ? Sur quoi construit-on sa vie lorsque plus aucune morale ne trouve prise sur nous ? Ta maison devient trop grande, tes amis commencent à t’énerver, tu disparais, tu te caches, tu coupes les ponts avec ta réalité, tu n’as même plus envie de voir ta propre famille. Tu ne cherches aucune aide, tu ne cherches personne. Tu ne veux plus rien. Tu as des idées noires, très noires. Et tu te mets à chercher un responsable. Et finalement, tu le trouves... Mais tu ne peux rien contre Lui. Patrick Senécal nous livre ici un roman fulgurant, un Coup de tête au sens le plus strict du terme !
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Extra info for Contre Dieu
Exhaustion has made me hypersensitive. A rheumy lorry passes by‚ a very long way off. I hear it‚ I sense it descending Rue Monge. It’s going to drive round the square‚ turn into the boulevard on the left. I can ‘see’ it. I’m sure of it. It sends a shudder through cubic kilometres of buildings. This evening the neighbourhood’s nerves are on edge. Ici tous les plafonds ont eu la scarlatine Ça pèle à plâtre que veux-tu – ô Lamartine … [Here all the ceilings have had scarlet fever As you’d expect the plaster’s peeling – O Lamartine …] That dark‚ circular‚ ringed stain above the bedside table is where the petrol lamp used to hang‚ stinking and leaking like nobody’s business.
I’d encountered him before. Just after the last war‚ I spent some of my childhood (the summer months‚ for several years in a row) at E‚ a small town in the Eure-et-Loir. I had some playmates‚ who were entranced by all the things the ‘big boys’ got up to‚ that’s to say‚ boys three or four years their senior. These ‘big boys’ affected to despise us. They never joined in our games‚ but they were happy to capture the admiring attention of an easily impressed gaggle of kids. The most conceited‚ big-mouthed show-off‚ and sometimes the meanest of these older boys‚ was called Honoré.
The corridor continued beyond it‚ plunging downwards. In short‚ it was a kind of drain-trap. That’s all. Nothing else. Disappointed‚ we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No‚ an alcove‚ with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert‚ ‘It’s of no interest …’ and kept this treasure for myself. I gazed at it for hours on end‚ in private. So my deductions‚ my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered.